When one is performing one usually plays to a paying crowd and the
emphasis is to play to the audience and they watch what you provide.
With that kind of pressure there's no diffence between the peddler
with the monkey on the tuning box and the hat.
The concert I'm organising relates to the whole planet and the
cosmo. The players ie guitarists whether you're famous or not will
have to be briefed by me on a crunch course (couple of weeks to get
it right) ready for the day of the concert. There is a global reason
for this.

I'm still undecided on the make although the Fender Strats is
currently top of the list. And the amp?

Yes and closer to the edge.


GS


> >
> > ----- Original Message -----
> > *From:* Gary <mailto:selflogy@y...>
> > Most guitarist does it without knowing. That's because they
don't
> > really know the basics. Even then they are not conscious of
it and
> > neither do they know how.
> > The performer plays to the crowd and that's the norm.
Usually the
> > performer is engrossed in his playing supported by the crowd
and
> > listening to feedbacks. His ego sometimes grow and that's a
> > hindrance. Then he begins to rate himself about his
performance and
> > becomes self conscious, which then erode his confidence.
Perhaps his
> > performance weakens and that's when the boos gets thrown in.
And the
> > curtain comes down.
> > Playing to the universal spirit is entirely a different ball
game.
> > Unless you're a high priest, one should not attempt such a
feat. The
> > universal spirit is cosmically without and within the human
soul.
> > Therefore each and every soul that watches the concert are
linked to
> > the universal spirit,,,or so it seems. This is in the hands
of the
> > guitarman.
> >
> > Got it?
> >
> > GS
> >